CRITICAL BOOKS

1. Barnicoat, J. (1972) Posters A Concise History.2^nd ed. Singapore, C.S. Graphic.
2. Jameson, F. (1992) Postmodernism, or, The Cultural Logic of Late Capitalism.2^nd ed. United States of America, Verso.
3. Hebdige, D. (1979) Subculture: The Meaning of Style. 2^nd ed.United States of America, Routledge.
4. Tinkler, P. (2006) Smoke Signals: Women, Smoking and Visual Culture in Britain. Ed illustrated. Australia, Berg.
5. Mcquiston, L. (2004) Graphic Agitation 2: Socail and Political Graphics in the Digital Age.2^nd ed. Michigan, Phaidon.
6. Eskilson, S. (2007) Graphic Design: A New History. Ed illustrated. London, Yale University Press
7. Savage, J. (1991) England’s Dreaming. 3rd ed. London, Clays LTD, St Ives plc
8. Krauss, E, R. (1986) The Originality of the Avant-Garde and Other Modernist Myths. 3^rd ed. United States of America, Halliday Lithography.
9. Simmel, G. (1971) On Individuality and Social Forms. 2^nd ed. United States of America, the University of Chicago Press.
10. Adorno, T. Horkheimer, M. (1997) Dialectic of Enlightenment. 3^rd ed. London, Verso.
11. Bierut, M. (2007) Seventy-nine Short Essays on Design. 1st ed. New York, Princeton Architectural press.
12. Millman D. (2007) How to think like a great graphic designer. 1st ed. New York, Allworth Press.
13. Bierut, M. Helfand, J. Heller, S. Poynor, R. (1997) Looking Closer 3 Classic Writings on Graphic Design. 2nd ed. New York, Allworth Press.
14. Harvey, D. (1990) The Condition of Postmodernity. 3rd ed. United States of America, Blackwell Publishing

The Opening of Vision: Nihilism and the Postmodern Situation

In the Culture Society

The Post-Subculture Reader